My story telling is all about the moving image. Moving images come in different forms, but for me it’s about the big screen. The cinema. The films, the animations, the onscreen adventures. The kids stuff!
Now, I have a fairly good understanding of how special effects are made, it’s what I studied. I have a bunch of skills and knowledge around character animation, cameras and lenses, motion capture, compositing and so on. If you’ve browsed my stie, you may have noticed I have a bunch of software and hardware projects in development. These are all designed to help me with producing moving images. More specifically, live action character animation, motion capture and compositing. You can find some of these projects in the explore page, they include ProxyMan, The Dark Room and Hyperion.
But the software is only part of the problem. I also need a camera capable of delivering images to me at the specs I want to work with. Specs will differ for every cinematographer and filmmaker. But for me, I wanted a minimum of 4k resolution (mostly for tracking precision), global shutter (’cause, why would you want rolling?) and something that had a lens mount where I could change lenses.
I initially bought a camera that I thought would be a place to start. If nothing, I could at least get some images and practice editing. However, I soon realised that the camera just wasn’t up to the task. So I had my sites set on getting another one, which I’ve just recently acquired (after a long wait!). I’ll keep the original camera, if nothing else to use it for behind-the-scenes stuff. But my new camera will take place on the main rail system. This rail system has custom made parts, including some 3D printed bits, machined parts, and some pic programming hardware that’s underway.
My main camera now is a RED Komodo. This isn’t a hobby camera. So I have a big hill to climb to make this worth it. But, I’ve worked hard to save my pennies, and I’m pursuing something I enjoy. I think there can be a happy future with this if I can make it all work. As a side note, The Dark Room will read RED raw images soon. Well, that’s the idea anyway!
[Image of camera rig to be posted here soon…]
It’s taken me a long time to get to here, but it’s slowly coming together. It’s still kind of all in pieces, it’s just a matter of putting them back together now though. I can’t wait to get some images out of this camera and my custom programmed pipeline. Think there’s a lot to look forward to here.